Design Inspiration

The set sits at the intersection of European frame construction and Indian textile craft. The wider room reinforces this — a Rajasthani dhurrie underfoot, brass collectibles on a marble-top gueridon table, a large expressionist painting behind. 

Colour Palette

Cream base, ruby red, cobalt, emerald, ochre/saffron, dusty teal, and deep ebony wood. The cream ground keeps the set from reading heavy; the jewel cushions supply the drama. 

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Part (English): Armrest
English Name: Rekha Scroll
Malayalam Name: രേഖ ചുരുൾ (Rekha Churul)

Description: The armrests are meticulously carved with flowing curves that follow the organic lines of a blooming jasmine vine. Each scroll represents a journey, a narrative etched into the wood, mirroring the traditional art of ‘rekha chithra’ where every line signifies a story. Its ergonomically designed to provide comfort, resembling a gentle embrace—an invitation to lean back and unwind.

Part (English): Throw Pillow Cover
English Name: Dhavala Dot
Malayalam Name:ധവള പൊട്ട് (Dhavala Pottu)

Description: The cushion cover is made of handloom cotton, patterned with ivory dots, like stars in the night sky, as symbols of purity, hope, and prosperity. 

Part (English): Chair Legs
English Name: Padmasana Feet
Malayalam Name:പദ്മാസന പാദങ്ങൾ (Padmaasana Paadangal)

Description: The intricately carved chair legs draw inspiration from the lotus-seated posture of yogic traditions. These legs symbolise grounding, stability, and a connection to the earth, infusing a sense of peace and balance. Each foot is a work of art, representing the divine grace and equilibrium sought in yogic practice.

Handloom Fabric

The upholstery is crafted using handloom woven fabric, lending the chair a textured, organic finish that celebrates traditional weaving techniques. The earthy ochre tone adds warmth and depth, while the natural weave introduces subtle variations that enhance its handcrafted appeal. Paired with the soft accent cushion, the fabric composition creates a layered and inviting aesthetic.

Cabriole Leg

The chair rests on elegantly carved cabriole legs inspired by classical furniture forms. Their flowing curves and detailed craftsmanship add a sense of movement and sophistication, while also ensuring structural stability. The dark wood finish contrasts beautifully against the warm upholstery, highlighting the artisanal nature of the piece.

Curved Back

The gently curved backrest is designed to provide ergonomic comfort while maintaining a graceful profile. Soft tufted detailing along the back enhances the chair’s visual depth, while the rounded silhouette creates a welcoming and relaxed seating experience. The curved form also echoes traditional colonial and South Indian furniture influences, giving the chair a timeless presence.

Estimated Size & Materials

• Estimated Dimensions: 36” W × 34” D × 38” H
• Frame Material: Solid seasoned hardwood with carved rosewood-finish detailing
• Upholstery: Handloom woven fabric in ochre mustard tone
• Cushioning: High-density foam with plush seat and back support
• Finish: Hand-polished wood accents with traditional carving details

Traditional & Cultural Interpretation

 The ‘Hemantaasana’ is an ode to the leisurely elegance of traditional South Indian homes, where furniture wasn’t just functional but a centrepiece for relaxation and conversation. It embodies the ethos of ‘thanalidam,’ a place of shade and repose, much like the inner courtyards of ancient Kerala mansions where one sought solace from the tropical heat. Like the gentle sway of a hammock on a serene afternoon, it seeks to encapsulate a moment of timeless grace and reflection.

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The Vijayavalli Kireedam Backrest Pillar (“Victorious Vine Crown Back Pillar”) rises above each seat with masterful carving. Inspired by the crowns of temple idols and laurel garlands, its rhythmic vines and medallions provide a visual centerpoint that crowns every gathering with dignity. This back crown is both symbolic and structural—a nod to protection, prosperity, and the onward march of stories.

Meghapushpa Aasana Padam Cushion Platform

The Meghapushpa Aasana Padam Cushion Platform (“Cloud-Flower Seat Platform”) envelopes the sitter in deep comfort. The plush beige fabric is soothing to the skin, while its generous proportions invite you to linger. The gentle texture and restrained sheen support both posture and relaxation, turning each chair into a true retreat.

Rajarasa Pravaha Hasta Arm Gate

The Rajarasa Pravaha Hasta Arm Gate (“Royal Essence Flow Arm Gate”) is an elegantly scrolling armrest, reminiscent of the fluid woodwork in Kerala palatial halls. Sweeping outward, each arm provides restful placement and continuity of design—connecting seat and backrest in a supportive arc and enhancing the throne’s visual movement.

Lathavalli Raksha Paksha Support Pillar

The Lathavalli Raksha Paksha Support Pillar (“Creeper-Guard Side Support Pillar”) sits beneath the armrest, integrating leafy vines into the chair’s side, mirroring the entwined beauty of Indian palace arches. Structurally strong and ornamentally rich, these pillars provide balance and a narrative continuity from the ground up.

Yugachakra Valayam Curl Leg Pillar

The Yugachakra Valayam Curl Leg (“Era-Wheel Curl Leg”) brings the legendary cabriole leg style into an Indian context. Its pronounced outward curve leads the eye and the weight of the chair gracefully to the floor, signifying both historical movement and steadfastness—a foundation trusted for generations.

Agnipushpa Varnika Thalayaṇa 

The Agnipushpa Varnika Thalayaṇa throw pillow (“Fire-Flower Color Accent throw pillow”) is the exuberant orange-red accent pillow foregrounded against the neutral seat, woven in silk cotton to channel the festive glory of Banarasi and Kanchipuram textiles. More than an accessory, it brings living color and joy, making every seating session an occasion.

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1. Tarini (Curved Wooden Arms and Legs)

Meaning: “Tarini” means “she who flows or carries” in Sanskrit, evoking movement and grace.

Definition: The Tarini is the continuous, bentwood frame that forms both the arms and legs of the chair. Its elegant, sweeping curve is ergonomic and poised, like a single, unbroken line drawn in space. Tarini gives the chair its signature sense of movement and lightness, supporting the sitter with both strength and style.

2. Vayuja (Woven Cane Backrest)

Meaning: “Vayuja” means “born of air” or “airy” in Sanskrit.

Definition: The Vayuja is the hand-woven cane backrest, designed for breathability and gentle support. Its open weave allows air and light to pass through, keeping the sitter cool and comfortable. Vayuja is the element that brings openness and a sense of natural ease to the chair’s design.

3. Tantula (Woven Cane Seat)

Meaning: “Tantula” is derived from “tantu” (fiber/thread) and “la” (small), suggesting a fine, delicate weave.

Definition: The Tantula is the woven cane seat—firm yet flexible, minimal yet traditional. Its intricate pattern provides both support and a gentle give, making it ideal for warm climates and long hours of relaxed sitting. Tantula is the quiet foundation of comfort in the Tanvika Chair.

4. Nirvaha (Minimal Joinery Structure)

Meaning: “Nirvaha” means “support” or “that which holds together” in Sanskrit.

Definition: The Nirvaha is the chair’s base and inner structure, constructed with precision joinery and hidden supports. It provides silent strength, ensuring the chair’s stability without adding visual weight. Nirvaha is the unseen force that allows the chair’s graceful form to remain both light and enduring.

Craftsmanship

The Tanvika Chair is crafted from hand-selected teakwood and shaped with traditional bentwood techniques that require seasoned curves and seamless transitions. The cane is hand-woven using natural materials, providing breathability and visual texture. Its finishing is kept matte and natural to highlight the subtle grain and fluid outline of the wood.

Ideal Use:

Perfect for:

• Reading corners, verandahs, and sunlit niches
• Tropical-inspired modern interiors or heritage bungalows
• Cafés, boutiques, or lounge spaces seeking a quiet design accent

The Tanvika Chair is not just a seat — it is a gesture of grace, shaped for rest and refined by tradition.

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1.  Shirasya (Backrest Frame with Spindle Crown)

Meaning: Derived from “Shiras” (head, summit).

Definition: The Shirasya is the upright, squared wooden backrest crowned with a row of miniature spindles. This element draws inspiration from the ceremonial gateways of Kerala temples, lending the chair a sense of dignity and elevation. It frames the sitter in a posture of composed grace, echoing the quiet authority of ancestral thrones.

2. Paridhi (Armrests with Side Spindles)

Meaning: “Paridhi” means enclosure, boundary, or gentle embrace.

Definition: The Paridhi are the solid wooden armrests, each bordered by a series of slender, hand-turned rods. These rails gently encircle the sitter, offering a sense of sculpted protection and comfort. The design is both open and secure, reminiscent of the welcoming arms of a guardian.

3. Vishraya (Upholstered Seat Cushion)

Meaning: “Vishraya” is inspired by “Vishrama” (rest, repose) but is a unique, softer form.

Definition: The Vishraya is the handwoven, softly textured seat cushion that balances the firmness of the wooden frame. Designed for tranquil, upright seating, it offers a gentle landing for the body, inviting moments of stillness and ease. Its natural tones and tactile weave evoke a sense of serene comfort.

4. Stambhita (Turned Wooden Legs)

Meaning: “Stambhita” means firmly planted, steadfast, or anchored.

Definition: The Stambhita are the rounded, hand-carved legs that ground the Suptika Chair with heritage and strength. Each leg is shaped with traditional detailing, reminiscent of the pillars found in temple halls and royal seats. They provide unwavering stability and a sense of timeless rootedness.

Craftsmanship

Carved from richly grained teakwood, the Suptika Chair is handcrafted by traditional artisans using time-honored turning and joinery techniques. The side and back spindles are individually shaped and fitted, while the seat is topped with a removable cushion in natural-toned fabric for breathable comfort.

The polish reveals the soul of the wood, while the proportions remain true to classical Indian geometry — balanced, symmetrical, and serene.

Ideal Use:

Perfect for:

• Traditional foyers, verandahs, or reading corners
• Poised guest seating in classical living rooms
• Pooja spaces or retreat villas with cultural interiors

The Suptika Chair is not just a chair — it is a moment of stillness, shaped in wood and held with quiet reverence.

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